top of page
cowboy-riding-a-horse-thru a-dust-cloud.jpeg
cowboy-riding-a-horse-thru a-dust-cloud.jpeg
William (Bill) Cobbs

of Huntington Beach/Sunset Beach, CA

My website is provided to showcase my songwriting and music publishing endeavors in order to demonstrate my songwriting abilities, and offer my works for music industry Artists, Music Labels, Music Supervisors and other larger Music Publishers for professional artists’ recordings, and music/video material distribution, performance, radio and sales/streaming. My musical emphasis is Country, be it Classical, Contemporary, Bluegrass or Pop.

I feel my strength is in my Lyrics by melding familiar imagery and situations to various emotions and truths, while maintaining a creative use of rhyme structure to balance music to word.  I am not a Singer/Songwriter, leaving the music and vocal performances to those more gifted.

Unless indicated, all materials are Songwriter Demo works, and are not permissible for registry or performance royalties through social music sources such as Spotify, iTunes/Apple Music, SongTrust, etc. Any use of the attached works are all subject to copyright restrictions without written permission. Also, if you are a pay-for-hire marketer or song pitch/playlist enhancer, save our time and my money. I’m not interested.  My works at this point are all Song Demos.

My musical journey has two periods of activity, mid-1990’s and 2024, which I will explain in my Biography.  As a result, my various song offerings on this site are similarly separated by these two periods.

I hope you enjoy listening to my works as much as I have enjoyed the creative and business aspects of their creation.  If you enjoyed listening to any or all of my works, any encouragement would be appreciated.  Also, if you are interested in learning more of their history/background, please drop me an email as well.   But don’t try and sell me something.

But even more importantly, if you are interested in actively pursuing joining me in utilizing them in various musical performance pursues, please drop me an email so we can talk further.

Thank you for taking the time to review my works.

Bill

William L. Cobbs

I’ll Take Country Music Publishing Company,  BMI

wcobbs.ITCMusic@AOL.com

BIOGRAPHY

The Beginning

I was born in Baltimore, Maryland 76 years ago, but spent most of my childhood in Virginia, of which 7th grade through college was just outside Harrisonburg, Virginia “In the Heart of the Shenandoah Valley!” My dad was a Presbyterian Minister, Navy Chaplin, and an Administrator of a Home for the Aging, while my mother was a Latin/English High School teacher and loved the piano. Like many artists, I cut my teeth on music in a weekly church pew or choir loft and listening to the radio at night on my bed. I formed a singing group in high school called the “BC Five”, saved up and bought a Fender Sunburst Stratocaster in 1964, and played guitar in a band at dances during high school. ​I graduated from VA Tech in Mechanical Engineer in 1970. I have no military history having missed the first Viet Nam Draft Lottery. Upon graduation I went on to James Madison Univer., graduating in 1972 with an MBA. I got married, and we moved across the country to California to pursue a career with a military weapons/systems corporation. From 1972 to 1979, we moved to Dallas, Texas, and then St. Louis, MO to continue to work in military design and manufacturing, gathering two lovely daughters along the way. In 1979 we move to Nashville, TN to work as Program Manager at the Aerostructure Corp. adjacent to the Nashville Airport; and lived out on the Percy Priest Lake Drive. This is where I regained my Virginia country music roots through Printers’ Alley, the Ryman and any other establishment big enough for a stage. But then another major career opportunity came up, and we moved back to Southern California in 1984 to Irvine, CA. While living in Irvine, a good friend of my wife had a sad story how her married son contracted cancer and died in the hospital. During those days, his little son would crawl up on the bed and up into his arms to hold each other. She heard that I was considering some renewed songwriting; and she asked if I could write a song to share her memories. The result was “In Daddy’s Arms.” It’s an attachment to this website and registered in BMI. I gave her 50% of the Writer Share since she gave me the idea/details.  Soaring Eagle Music Company did the demo production.  Also, during this period while visiting back home to Virginia, I met with a friend of my wife’s family, Bobby Campbell, who sang with the Quartet “The Coachmen” from Staunton, VA (which is also home of the Statler Brothers). He had a particular interest in my song “Three Roses.” I registered it in BMI while giving him 50/50 Writer credits for modifying one stanza and recording my work. They started to include it in their shows, and I understand that it was a show favorite. Many years later, I found out through research that they included it in a CD called “Going Home.” That was almost 30 years ago. ** I recently found a copy of the CD through Amazon, but that’s all I have. (See References) No royalty information was sought or passed on. Both Bobby & his wife have passed on since. The original “Three Roses” is included in the 1993-95 list of recordings; as well as a separate, completely new version I created which provides more story, visuals and emotion. The common chorus in both versions giving them the Hook was my sole songwriting development. It is in the latest set of recordings as “Three Roses All Red, White and Gold,” where BMI required a new title. It is in the process of new registration for this new version as well.

That was how it all began

I began writing more and more songs, which are available on this website for your review. Brian D. Siewert, at Nashville’s Music City Music Group at the time, was my key Demo producer, inspiration and cheerleader all along the way. At the time he was also Keyboardist at the height of Wynonna’s success; and I got to meet him at two concerts in the LA area. Not a bad day (or night) job! He came down during a concert break and turned to my wife and told her “You’ve got a Songwriter there!” That did more for me ever since, and I will be eternally grateful for that inspiration. I strive to fulfill that dream. Of course, over the years he has gone to tremendous heights in accomplishments and Emmy, ASCAP and BMI awards in Hollywood and beyond for Film and TV Music Direction and Composition and Original Songs. Presently, I understand that he is titled “Chief Music Inventor, Re-Imagineer at Triple S Entertainment in Brentwood, TN.

To further my craft, in 1995-96, I enrolled in evening UCLA Extension classes in LA towards Certificates in Songwriting and Music Business. I completed 10 classes by the end of May 1996 with all A’s or A- as follows:

Writing Hit Songs/Building Vocabulary

Jazz Perspectives

A&R: Making Music Acquisition to Release (with Randy Jackson, & visits to Viper Club & Melrose Studio)

Introduction to Creative Music Publishing

Independent Music Publishing Bus./Legal

Domestic/International Music Law/Business

Techniques of Musicanship Fundamentals

Legal/Practical Aspects Record & Publish. Industry

Music Supervision for Film (produced background music for studio roughs for “The Truth About Cats & Dogs”)

Breaking Into Music Industry Career Advancement

BUT SINCE THEN

Here is where every good country music writer must live the life of a Country song to be able to feel and produce realism in his/her music. Unfortunately, I am no exception… Hopefully not sounding like a “pity party,” but I had a major detour in my music career in 1996, one which lasted 28 years. I went through a tough divorce which broke my family up. I also lost my job with the planned closure of my facility. I was out of work for a year and a half. Meanwhile, I tried to create a restaurant, which failed for several reasons when my financial resources dried up too quickly. Later, after finding work, the division where I was Program Manager had a large loss, and I was laid off again and took another year to find another job. Finally, in 2001, I found a sustaining work situation in Los Angeles, supporting the USAF in rocket development oversight in Los Angeles, by visiting companies across the country. Although contractor contracts came and went, I was able to maintain consistent work and salary by playing hopscotch between competing companies. I’ve built back my financial situation and retired in 2019. I have two beautiful grown daughters and two wonderful grandchildren. Unfortunately, recently I lost my younger daughter, my brother, and my ex-wife since my retirement. It’s a stark reality check of how short and precious time is. It was also a major influence to get my songwriting pursuits back in gear.

‘Better Late Than Never’

In my retirement, I have been afforded the opportunity to rekindle my love for music and songwriting development with fewer demands on my time. But time is running short, and I am laser-focused to see this through. I had six unfinished songs from my previous era, which I was able to renew, polish a little, but mostly just finally demo to get them out of my head for 28 years and down in bits & bytes & downbeats. Eli and Aaron Beaird and Tytus Welker at Nashville’s Beaird Music Group were very helpful in putting professional music and vocals to my rough drafts included in this website. The whole music industry, and especially music publishing and marketing, has all changed so dramatically since 1995 (8-Track Tapes to CDs to computer files and Thumb Drive Sticks to social music websites to ???). Not just since then, but practically every other day, there are major changes in all aspects of music creation, marketing, and administration. So, I’ve also been studying YouTube podcasts to gain a clearer understanding of some of the most drastic recent changes and expectations.

In Closing

Please feel free to review my material attached to see if you feel any of these demo concepts would fit within your genre, vision, soundtracks and your artists. A few of the lyric sheets call for introduction/theme clips of, i.e., children playing (“Thru the Eyes of a Child”) and a bull riding rodeo crowd and announcer (“Ride the Wind”), and perhaps organ music before “When My Amy Smiles”which were not provided in these basic demo productions. Also, most of my earlier 1993-1995 demos have 10–15 second silent intro slots, so just wait a few seconds before they begin. In the newer works I’ve tried to add some alternative demos of the same songs to vary the styles of Country or Pop, male or female voices, or slow or up-tempos, to hopefully appeal to a wider variety of Labels, artists, Movies, TV, etc. Each is special to me and my vision; but I have to warn you that you will be hearing them in your head for weeks! Most do not try to include musical bridges, transitions, endings, etc. I’ll leave that to the final Producers, Sound Engineers and Musical Orchestration. In these and many other aspects, I remain ready and willing to answer any of your questions and discuss any thoughts or suggestions you might have concerning my work. Again, time is of the essence. As the old saying goes, “Let’s go create some beautiful music together!”

bottom of page